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Hiatus May 3, 2009

Posted by claralieu in Uncategorized.
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Starting today, I’m taking a four month break from my studio practice.  I’ll resume regular posting to this blog in September 2009.

Bromfield Exhibition Deinstall April 27, 2009

Posted by claralieu in Exhibitions, Teaching.
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On Saturday afternoon I went to deinstall my exhibition at Bromfield Gallery. This was quite possibly the quickest deinstall I’ve ever done before: the drawings I exhibited have no frames, and are on extremely thick and durable Dura-Lar, making it exceptionally easy to simply roll them up for transport.

Unseen & Unknown at Bromfield Gallery

Looking ahead,the academic year is truly in the home stretch.  Both RISD and Wellesley College have just three more weeks to go, which means that the studio practice has to be put aside temporarily so that I can focus on the many end of the semester tasks which are ahead. I may have a few pockets of time where I can do some reading or research,  but I know that at this stage my academic responsibilities will take priority over the next few weeks.

Studio Cleaning April 23, 2009

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Over the past two weeks I’ve been going through a major reorganization of my house, which consequently has become a complete restructuring of my studio space.  I used to have three rooms in my house which were used as various forms of studio space: an office, a sculpture room, and an 2D room.  The goal has been to merge all three of these rooms into one consolidated studio/storage room, so it’s easy to imagine what a logistical challenge this has become.

Studio

I’ve already thrown out a frightening amount of old artwork, and there’s still much more to be done. I know for some people it’s really hard to throw out your old work, but I’ve adopted a new philosophy towards this process.  The work has served it’s purpose: I made it, I learned from it, and now it’s time to move onto new pursuits. What I gained from the experience of making the work in terms of developing skills and concepts is far more valuable to me long term than the actual material object itself.

I find art supplies are much tougher to get rid of.  Since I work in so many different media, it’s difficult for me to imagine that I won’t need a specific supply again at another point in time.   This has been proven many times over: when I was a sophomore at RISD, I took a woodcarving class and had to purchase an expensive wooden mallet.  After the class ended, I didn’t touch that mallet once and I remember at the time resenting the fact that I had purchased an expensive tool that was used so briefly.  When I started work on my graduate degree nine years later at the New York Academy of Art, I used that same wooden mallet nearly every day for the entire duration of my degree.

Studio

The Next Stages April 13, 2009

Posted by claralieu in Concept, Drawing.
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Now that my solo exhibition at Bromfield Gallery is complete, I’m taking some time to clear my head and to consider where I want the next stages of this project to go. After an intensive work period, I find that it’s necessary and important to give myself space to think about what I’ve accomplished so far, and how I next want to proceed. The most exciting aspect is that although I’ve worked on this project for 2 years now, I feel like I’m still just getting started, and there are many ideas and directions I’m eager to pursue.

Primarily, I’d like to get going on reading about isolation and loneliness, and also return to sculpture to create more references for future drawings. This summer I’d also like to get out to more bodies of water to shoot more rounds of reference photographs for new source materials. I’m almost certain that when I get back to the drawings that I want to create drawings that are extremely tall to allow for longer, more dramatic reflections in the water. I’ve noticed in my reference images that reflections in the water rarely extend to this kind of exaggerated distance, so I’m curious to see what kind of visual and conceptual results this may result in.

Digital Compositional Sketch
Digital Compositional Sketch with a very tall, vertical rectangle.

Website Update April 6, 2009

Posted by claralieu in Technique.
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After an event packed week, I took the day “off” to make some major updates to my website. I’ve been so focused on studio work over the past few months that I haven’t paid any attention to marketing and publicity tasks. I really do believe in separating marketing and studio practice; when I’ve tried to do them simultaneously the studio practice always suffers.

Before:

Old Website

After:

Website Update

“Unseen & Unknown”: Opening Reception April 5, 2009

Posted by claralieu in Drawing, Exhibitions, Materials.
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The opening reception for my solo exhibition, “Unseen & Unknown” was last Friday night from 5:30-7:30pm at Bromfield Gallery in Boston.  These openings are called “First Fridays”, where on the first Friday of every month all of the galleries at 450 Harrison Ave.  in the SoWa District in Boston hold their opening receptions.  It’s very effective in that from the gallery perspective you get a steady crowd throughout the night, and as a visitor you’re able to see a lot of work all at once.

Unseen & Unknown at Bromfield Gallery

Many friends, current & former colleagues, and several of my current & former students attended the opening, so it was great to have the chance to see everyone in once place. The question I was asked the most frequently was about my materials, drawing surface, and technical process.  For many people the materials and process was elusive and hard to pin down, which I liked.

Unseen & Unknown: Opening Reception

I think one of the best compliments I received was from one of my former colleagues who is a printmaker.  She said that despite the fact that I’m working on drawings, I’m still thinking and working like a printmaker: between the use of the lithographic crayon, the layering of the drawings, and the sense for depth, it all alluded to my mindset as a printmaker for her. I haven’t had the chance to work on prints as much as I’d like to, so it was great to hear that I’m still drawing from my experience as a printmaker.

Installation Views:

Unseen & Unknown at Bromfield Gallery Unseen & Unknown at Bromfield Gallery Unseen & Unknown at Bromfield Gallery Unseen & Unknown at Bromfield Gallery

Opening Reception:

Unseen & Unknown: Opening Reception Unseen & Unknown: Opening Reception Unseen & Unknown: Opening Reception Unseen & Unknown: Opening Reception

Exhibitions this week March 30, 2009

Posted by claralieu in Exhibitions.
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This is a packed week for me in terms of exhibitions:  I installed my exhibition at Bromfield Gallery yesterday, while today at the Jewett Art Gallery at Wellesley College, I deinstalled “Dual Action: New England Print Faculty Invitational” and installed “Patrick Earl Hammie: Equivalent Exchange“. On Thursday I’ll be doing pick ups for the “Dual Action” prints, while hosting a gallery talk and opening reception that same day for Patrick Hammie’s exhibition.  Then Friday night is the opening reception for my exhibition at Bromfield Gallery. On top of that, New Philharmonia Orchestra, the orchestra I play with regularly is playing two concerts this coming weekend. When it rains, it definitely pours.

Dual Action Patrick Hammie: Equivalent Exchange

Top: deinstalling “Dual Action“.
Bottom: completed installation for “Patrick Earl Hammie: Equivalent Exchange
Read more about deinstalling/installing these exhibitions here.

Bromfield Gallery Installation March 29, 2009

Posted by claralieu in Drawing, Exhibitions.
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I went to Bromfield Gallery today to drop off my works for my exhibition which opens this week.  I have a total of seven drawings for the exhibition, each of which measures 48″ x 30″. Bromfield Gallery is divided up into three gallery spaces, with my exhibition in the middle gallery.  I was very conscious when planning the drawings for this exhibition to not crowd the gallery space I’m in and to allow the drawings to have enough room to breathe.  A few weeks ago I was concerned about not having enough drawings, but now after seeing the space again, I’m glad that I didn’t try to squeeze in more drawings.

I will note that my experience this year as Gallery Director of the Jewett Art Gallery at Wellesley College has certainly given me new perspective in terms of being on the “other side of the fence”. Previously I was only accustomed to working on exhibitions from the artist’s point of view, and now I’m seeing things in a different way since working from the gallery side.  Bromfield Gallery has a great staff which manages the exhibitions and install, which made things easy from my perspective, making my role in the exhibition very smooth and manageable.

bromfield

Bromfield Gallery, in the SoWa District of Boston.

New Yorker article on solitary confinement March 27, 2009

Posted by claralieu in Concept, Research.
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There’s an article in The New Yorker this week by Atul Gawande titled “Hellhole” which asks whether long-term solitary confinement for inmates can be considered torture.  The article describes in great depth the many physical and mental consequences suffered by both inmates and hostage victims in solitary confinement, as well as their mechanisms for coping with the isolation. Although this article is focused on isolation under very specific conditions which are unrelated to the isolation I’m focused on in my work, I found myself devouring every word of the article. I’ve discovered that any piece of writing or story related to isolation, no matter how seemingly unrelated to my work is of interest to me now.

holland

New Yorker Illustration by Brad Holland

I was talking to someone a few weeks ago about a rough patch they were going through where they had difficult getting along with a group of people they had to work with. I sort of assumed talking to them that they were having difficulty because maybe the group of people were being mean to them, but they responded by saying “No, they’re weren’t mean to me. I was just ignored”. It got me thinking that being ignored within a group can be much more painful than when someone is mean to you- at least in that circumstance your presence and existence is being actively acknowledged, even if it’s for negative reasons.

Completion March 26, 2009

Posted by claralieu in Drawing.
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I had my last day in the studio, ending the day with the drawings complete and ready for installation.  I went through several finishing tasks:  cleaning the drawings, final adjustments on a few drawings, and attaching the monofilament fishing line used to hang the drawings.

I hadn’t planned on re-working the three drawings I completed last August, but there was one drawing in particular, “Unseen III”,  that I always felt was lacking in subtlety.  I spent most of the morning on this drawing softening edges, removing dark passages, and refining gradations of black on the top layer.

Unseen III
“Unseen III”, with revisions

Cleaning the drawings is time consuming, but quite necessary since the drawings  look sloppy otherwise.  Since the drawings are made of several layers of Dura-Lar on top of each other, the crayon naturally wants to adhere in areas where I don’t want it to.  I spent many hours yesterday and today wiping the Dura-Lar with a cotton rag and erasing with a Mars plastic eraser to remove unwanted spots of crayon.

Attaching the monofilmanet fishing line was the most tedious task by far.  The last time I installed these drawings, I didn’t do a very accurate job and the consequence was that it was tough to get the drawings to all hang at exactly the same height. I worked out a better system this time around that will be much more reliable and accurate. 

Final Drawings