Hiatus May 3, 2009
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Starting today, I’m taking a four month break from my studio practice. I’ll resume regular posting to this blog in September 2009.
Temporary Leave May 16, 2007
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Starting today, I’m taking time off from my fine arts work for the summer for personal reasons. I’ll resume posting to this blog in September.
Framing for Exhibitions June 4, 2006
Posted by claralieu in Uncategorized.Tags: exhibition, framing, intaglio, Printmaking
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I am completely amazed that I managed to pull off this last minute framing job as well as it came out. I went to the frame store today at 12:40pm, where my framer was just fastening the wire to the back of my second piece. I left the frame store at 1:00pm and bolted to the Danforth Museum of Art which is in Framingham. I arrived at the museum at 1:30pm, with the deadline closing at 2:00pm.
Submitting to grants and exhibitions is tricky: you end up with all or nothing for your efforts. There’s no gray area whatsoever and the results feel so definitive.

“Paths XI”, 12″ x 18″, sugarlift & aquatint

“Paths VIII”, 9″ x 12, sugarlift & aquatint
Last minute Framing June 3, 2006
Posted by claralieu in Uncategorized.Tags: Exhibitions, framing
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I spent today frantically trying to get 2 prints framed totally last minute to submit some prints to a juried show at the Danforth Museum of Art. Thank goodness for my amazing framer Dave Geller who completely bailed me out. Incredibly, he agreed to cut me matts today and have them ready and assembled in pre-made frames by tomorrow afternoon. I don’t know what I would do without him; any other frame store wouldn’t even think about putting something together on such short notice, much less do a good job and make sure everything was the best it could be, which I am always sure he will do.
Recently I feel like I’ve been getting distracted by lots of extraneous stuff to my work- submitting to shows & grants, etc. I try to make undisturbed work periods for myself where I don’t do any of that so that I can focus exclusively on making good work which really in the end is the most important thing. On the other hand, if I go too long without submitting to shows or getting curators to my studio it can definitely have a negative impact on my standing in the art community. The marketing and the submissions are a necessary part of the process if you want to keep moving forward with your work. You’re always looking for a balance between the two because really you can’t have one without the other. I think when I get back from Rome I’m going to go back into another undisturbed work period and put this submission stuff on the side. When I get back, it’s going to be all about painting. I can use the studio visit I have scheduled in August as incentive to get as much work done as possible.
Framing Prints May 6, 2006
Posted by claralieu in Uncategorized.Tags: framing, gallery, Printmaking, prints
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I picked up several prints I had framed for an exhibition I have coming up in June at Francesca Anderson Fine Art, a gallery in Lexington, MA. Francesca Anderson saw my prints at the Boston Printmakers show that we had recently at the Danforth Museum of Art and invited me to participate in another Boston Printmakers show at her gallery. It’s odd to me that I don’t really consider myself to be a truly authentic printmaker, and yet most of the exhibitions I’ve participated in have been in printmaking.
I’m always surprised at the transformation that the work goes through after being properly matted and framed. Usually when I look at my work, it’s within the studio context and the work tends to look raw and unfinished. There’s something about the formality of the frame and the image being pressed behind glass which can be so satisfying. In this case, it was five intaglio prints that I had done. I feel lucky that I happened to find a terrific framer who I work with regularly now. He often times chooses frames that I would never think to choose myself, and yet somehow they seem to fit perfectly with the artwork. I was particularly pleased with the pieces I picked up today. Somehow my framer managed to select frames that not only matched the sepia tone of the prints, but the frames have a slight speckle to them which looks almost exactly like the texture of the spray paint which I use to create the aquatint effect in the prints. Not only that, but the frame is distinctive if you want to take the time to appreciate it, and yet it simultaneously supports the artwork so that it is never overbearing or too obvious.
