Ask the Art Prof: What is the Best Way to Practice My Drawing Skills?

Charcoal Drawings of Bones

“What is the best way to practice my drawing skills in traditional media? I draw with colored pencils and I also paint with acrylics and I am sort of okay at it , but I really want to become better.”

Drawing is a highly complex beast which involves so many different elements at the various skill levels. Rather than get into all of those details, I’m going to boil it down to four fundamental directives that will help improve your drawing skills across all skill levels and media.

41) Draw from direct observation.

This sounds so simple, and yet I’m appalled at that vast majority of art students and artists don’t work from direct observation when they are looking to improve their drawing skills. This problem is so prevalent today, that you’re actually defying the norm (drawing from photographs)  if you draw from life.

Drawing a self-portrait from a mirror is ideal, you won’t find a model anywhere who is more willing to pose!




The issue is compounded by the fact that photography is so crazy easy and fast to have access with smart phones and the Internet. Not only are people drawing from photographs 99% of the time, but they’re drawing from crappy, low resolution photographs that they find online.

Photographs may be appear to be convenient and easier to work from, but they’re a cheap shortcut that will lead to the development of all sorts of bad drawing habits.The amount of information that a photograph has pales in comparison to seeing a subject in real life.

This is not to say that one should never ever in their lifetime work from a photograph; I work from photographs all the time now. However, I know how to use a photograph as a visual reference well because I’ve developed skills based on many, many years of working from direct observation.

Below is a video tutorial on how to brainstorm, sketch, and create a drawing from direct observation based on our October Art Dare.

When you work from life, you experience your subject matter in way that a photograph could never allow you to:  you can touch your subject, smell it, walk around it, and see the subject within the context of its environment. This overall sensory experience is vital towards your understanding of your subject matter and will always translate into your drawing.

Drawing is as much about learning how to see as it is about the marks that you put on the page.With a photograph, your understanding of your subject is inherently shallow and uninformed.

Charcoal Drawings of Bones

Nowadays, many people are learning a lot about each other online before even meeting in person.  Frequently, you’ll read a bit about that person, and see their photograph.  Think about how vastly different the experience of seeing their photograph online is to meeting them in person-it could not be more different.

Nothing prepares you for what that person is actually like in real life. That’s the difference between drawing from a photograph and drawing from life. Experiencing your subject in real life will bring a profound level of understanding and connection with your subject that simply cannot exist with a photograph.

In this portrait sculpture video tutorial below, interacting with the model in real life definitely influenced the outcome of the final sculpture.


This charcoal drawing tutorial shows the entire process of creating a portrait drawing in charcoal from direct observation.








As a professor, I’ve noted that people who can draw from life can practically draw from a photograph in their sleep, while people who only draw from photographs find themselves paralyzed when asked to draw from life.

One of my peers in art school flat out refused to draw from life.  She spent all of her time drawing from photo references from fashion magazines, which is an odd choice to begin with considering the over-the-top Photoshop treatment every model and celebrity gets when posing for a fashion magazine.   Her drawings always looked mismatched and strange because all of the people in her illustrations looked like they had just jumped off the cover of Vogue magazine.

Once, when she was traveling in Italy, she met a group of Italian guys she was flirting with, and she wanted to impress them.  Upon learning that she was an artist, the Italians’ first reaction was “Draw my portrait!”  She said she totally froze, and just couldn’t do it. She was mortified and completely embarrassed by her inability to draw from life.  By training herself to draw exclusively from photographs, she had limited herself to a very meager set of drawing skills.

The skills that you will gain from working from direct observation will tremendously inform and support your ability to work from all sorts of other references.  This article goes into greater depth about the importance of drawing from life.  I myself work from references all the time, and yet that skill set I have was honed from many years of drawing exclusively from direct observation.

2) Practice daily.

Drawing is very similar to athletics, and it really is just a matter of investing the time.  If you were an athlete, you would have a rigid schedule of training set up that you would adhere to. Drawing is the same way: it requires serious focus, rigorous training, and intense physical stamina. Every time you sit down to draw, it’s an opportunity to sharpen your eye, and become more proficient in coordinating your mind and eye with the physical movements of your arm and hand.

This video tutorial about drawing with brush pens below shows how you can sketch on site and get tons of practice that way.






There is no artist I know working today, who can coast on their inherent drawing talent. One of my peers from art school was one of those people you just hate because he drew so incredibly well, with what appeared to be so little effort.  No matter what I did, I couldn’t match his efficiency and level of drawing.  On the other hand, this peer was also super lazy and scatter brained, and today, he hasn’t done much with his drawing talents. Talent goes nowhere if you’re not willing to train and work hard on a consistent basis.

Many people get impatient with drawing and expect results right away.    You have to be committed, and be able to recognize that improvement is a slow and gradual process. One would never expect to be an Olympic level skier after one week of training, the same way you can’t expect to be a master of drawing after working for a few days. For most artist, it takes years and years of rigorous time and commitment to achieve a certain level of mastery.







Drawing on a daily basis doesn’t have to be a huge commitment.  Get a small, portable sketchbook to carry around with you, and do very quick, casual pencil sketches any time you can.  The video tutorial above shows how to do quick sketches on site.

You could do 5 minute sketches during your lunch break, when your friends are watching a movie, when you’re standing in line at the grocery store-drawing doesn’t have to be fancy or time consuming. Below, artist Julie Sharpe demonstrates how she draws from life in unusual places.





3) Practice gesture drawing.

If you can do strong gesture drawings, you’ve already won half the battle. Gesture drawings are the core of any drawing, they capture the essence of what a drawing is trying to say in just a few strokes, in just a few minutes. The first 2 minutes of a drawing are critical in that they lay the foundation for the rest of the drawing. It doesn’t matter how polished your drawing is if the initial gesture isn’t there to begin with.


Ideally, one should practice gesture drawing from a nude model, but if you don’t have access to a model, there are plenty of other options.  You can go to a local cafe and sketch people sitting in the cafe, or draw a bunch of friends who are sitting around.  In the video below, Julie Benbassat shows how she drew on site in various locations throughout Venice.



One of my friends always liked going to the beach to draw  because people sit still and they’re practically naked anyway.  I had a peer in art school who used to go to college parties and draw all of the drunk people sitting around. Get creative and find as many contexts as possible where you can practice your gesture drawing.


Gesture drawing by Rembrandt

To create a strong gesture gesture, it’s important to keep your arm moving and circulating throughout the page, moving from top to bottom, side to side, very quickly. Start very, very light with marks that barely show on the page.  This allows you to make lots of mistakes that will not show later because they’ll be so light. Develop all of the parts of the drawing together so that you don’t neglect any area.

Try to aim for continuous movements and fluid lines rather than fragmenting your lines into choppy marks. Look at your subject more than you look at your drawing; your subject is where the information is.

Keep your gesture drawings about 2-5 minutes in length, any longer than that it’s too easy to get lazy and fall back into bad habits. Read this article I wrote for a detailed explanation for what a gesture drawing entails.


Gesture drawings by Raphael

4) Look at historical drawings.

Go to the library and check out books that feature drawings by historical artists. Avoid the Internet: 1) the Internet is often times overwhelming if you don’t know exactly what you’re looking for and 2) you won’t get nearly the range or selection of drawings that you’ll get if you just sit down in the art history section of the library for a few hours. Get acquainted with art history and really make the time and effort to see the extraordinary range of drawings created throughout centuries of history.

In this case, start by referencing art history and expand your knowledge from there. To get you started, some historical artists whose drawings I would recommend looking at are: Michelangelo, Rembrandt, Kathe Kollwitz, John Singer Sargent, Raphael, Leonardo, Pontormo, Degas, Frank Auerbach, Lucien Freud, DurerGiacometti.


Gesture drawing by Michelangelo

The historical drawings that you’ll learn the most from are gesture drawings and quick sketches done in sketchbooks.  In these quick sketches you’ll get to see all of the visual evidence: you get to see all of the mistakes, all of the troubleshooting that happens in an artist’s drawing process.

This is what is so unique about drawing that you won’t see in other media like painting and sculpture; the opportunity to see traces of an artist’s process in a drawing.   Investigate and analyze what kinds of strategies these artists take in their drawing process and try to use them in your own. is a free website for learning visual arts which features video tutorials, art critiques, and more.


17 thoughts on “Ask the Art Prof: What is the Best Way to Practice My Drawing Skills?

  1. you have been must read 2 weeks in a row for my students, thank you . somehow when i say it , uuhhhah….but when they read it i get ‘that was a great article you sent us to read , so other artists do this too!’………..thank you again. basic building blocks……. cheers

  2. Thank you so much for this brilliant article! These tips will help me a lot, but could I please ask for a favor?!

    I’m an engineering student trying to move into manga illustration and design and starting out with drawing. I have nobody to guide me to learn how to draw. I’m just trying to use different sources on the internet but everyone has a different opinion!

    Could you please give me a kind of road map as to what I should start with, what kind of drawings I should do daily, how and when to move on to the next step, etc? Like a systematic plan for improving drawing skills from basic skills to the sketching level of an RISD fine arts undergrad, so that I could start with real illustration.

    It would be immensely helpful to people like me! God bless you!

  3. I am not so good at drawing full body.I am trying to draw human faces but I could not get the exact face .could you plz help me in drawing perfect outlines of faces(especially jaw).thank you

  4. This article gave me a target to focus on and improve my drawing skills.
    My learning process before now was somewhat vague. But now I understand what I really need to do like draw from life and don’t worry about it looking really presentable. That thought of making it look perfect totally halted my progress towards mastery.

    In the suggestions you presented I particularly appreciate the one where you talked about looking at historical drawings. Is there any source material you know that includes painting/drawings of all these old masters?

    1. I would recommend going to the library and getting a standard art history book, seeing which artists interest you, and then getting individual books on those specific artists. There aren’t a lot of good images of drawings from art history online, and the ones that are online tend to be low resolution and therefore not very helpful. Some artists you might start with are Leonardo, Michelangelo, Raphael Durer, Degas, Pontormo, Giacometti, Kathe Kollwitz, John Singer Sargent, Goya, Peter Paul Rubens, Giacometti, Rembrandt, Egon Schiele. Good luck!

  5. i also love drawing..i am teenager now before few days ill draw more then 50 drawings with the help of refrence sketch..but still my drawing skills was very poor..and am very poor with the use of watercolor … i want to improve my self how could i began?

  6. l do practice daily and try different position, but what if what l want to draw doesn’t exist in reality? l mean the first creed is great, but l can’t really implement it. l like to draw anime character, and they don’t exist in reality.

    1. I think so much of creating imaginary imagery is tons of troubleshooting, making a lot of mistakes, and persistence until you achieve the results you want. Having really strong skills in the fundamentals of drawing helps too. If you understand lighting, shadows, form, anatomy, tone, etc. you’ll be much better equipped to draw from your imagination.

      We have an “Ask” section on where you can ask our staff any art related question. You’ll need to register to post a question. (registration is free) The advantage of this ask section is that it’s an entire staff of diverse artists you can get an answer from, instead of just me.

      1. Hi Clara,
        Their are so so many tutorials out there on youtube, etc. I’ve been collecting, chopping, condenscing, notes for years and I’m just totally frustrated still. It seems to be nothing but a comfort to watch how others do it. But when it’s time for me to draw or paint, i do not have any more confidence than before i made all those notations. How to draw an eye, a tree, lips, nose, skies, etc. I see alot of tips like sky holes in trees, etc. That’s fine, but isn’t all of this really unecessary since we are observing for OUTSELVES? And isn’t all those things self evident to us?

  7. Hello, I’m 18 and I STILL don’t know how to draw the body. I’m not sure if you refer anime as an art, but I want to be able to draw the anatomy perfect. I can only draw the head, face, and hair but NOT the body. Do you have any tips on how to be able to draw it?

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