We celebrated the one year anniversary of Artprof.org last week! Hard to believe that it’s only been one year; Art Prof started as a one paragraph blog post way back in 2014 so I have to remind myself that technically speaking, the site really hasn’t been around for that long!
There are so many aspects to running the site on a daily basis that most days I feel like it’s a continuous game of whack-a-mole that I’m playing. However, we are moving into our second year armed with three partnerships that are really exciting: Fredrix canvas, Tombow, and our digital partner, Cantina. So much of starting a project like this from scratch is trying to convince people that what you’re doing is worthwhile and that they should join your journey.
As the site grows every day, I’m proud that our content keeps evolving for the better. The first course posted on the site was a Drawing with Crayons course, and while I still think that course has it’s own merits, it’s a far cry from the Brush Pens in Taiwan course and the two person courses we’ve been producing like this Balsa Wood carving course below.
It can be really challenging to be constantly experimenting with different formats for the courses, as there’s a lack of stability that accompanies that approach, but it’s also incredibly exciting at the same time. Every time we make plans to shoot a new course, such as the upcoming Digital Illustration and Oil vs. Acrylic course, and we start talking through the logistics, I feel exhilarated by the possibilities and the opportunity to explore ways to present the content.
Art Prof has been so exhilarating to work on that I wake up everyday with a powerful drive to tackle what at times feels like 5 billion tasks that need to be done, but I thrive and flourish with that drive. I’ll admit that my fine arts career has really been neglected for some time now for that reason; I mean, I haven’t lifted a finger really to get into exhibitions and push my career forward the way I used to.
Ironically, that’s when major career landmarks started happening. I was invited to show in a 4 person exhibition, “March Four Women,” at Boston City Hall which goes up this week and to my tremendous surprise, I was awarded an artist fellowship from the Massachusetts Cultural Council. I’ve applied to this artist fellowship every year I’ve been eligible (the categories alternate years) since 1998, so I was in complete disbelief when I got the phone call.
I used to obsess over every detail of my fine arts career, probably to a degree that verged on unhealthy, and it’s such a relief to have a project I am so excited about that those emotions have completely disappeared from my head. When I do make some work on occasionally, it’s almost always influenced by what we’re working on at Art Prof. I haven’t picked up a paint brush to oil paint in over 12 years, and yet shooting the Oil vs. Acrylic course made me want to paint again. (I seriously thought painting and I were OVER.) I got out an old canvas that has done nothing but sit in my garage for many years, and starting painting over it.
In a field that can be so unstable, unpredictable and nervewracking, I think I’ve finally found the balance and positive energy I’ve been searching for, for as long as I can remember. Looking forward to what the next year has in store for Art Prof!